Jazz gui tar chord practice how to#

This will not only bring an emphasis to the lowest part of the progression, but it can end up sounding like two hand of a piano if you play the bass notes a bit louder than the top chunk of the chord.

By playing the bass note first and the top part of the chord second, you are bringing an emphasis to the lowest part of the chord, and breaking the chord up into two parts. Probably the easiest way to highlight the bass note of any chord, and in turn the bass line of any chord progression, is to separate it from the upper three or four notes of the chord you are currently playing. So, to begin let’s take a look at a few ways that you can use your picking hand in order to break up any chord or chord progression you are comping over. To make this technique easier and fun to practice, in today’s lesson we’ll be looking at 4 different ways that you can use your picking hand to break up your chords into two parts, bringing emphasis to either the bass or melody note and adding new textures to your comping at the same time. This can often seem like a tall order when you are first starting out with jazz guitar, as many of the chord voicings are new and can seem tricky to get down, let alone having the dexterity and focus to break these chords up beyond just strumming or plucking them with your picking hand.

Jazz gui tar chord practice how to#

4 Easy Ways to Expand Your Jazz Guitar Chord Textures Todayīy: Matt Warnock When learning how to play jazz guitar, one of the most important techniques you can get under your fingers is the ability to break up chords in order to highlight the upper or lower voice of any chord progression or tune you are playing.